Sentence examples for microphone path from inspiring English sources

The phrase "microphone path" is a grammatically correct and usable part of a sentence in written English.
It refers to the route or trajectory that a microphone takes to capture sound. It can be used in sentences discussing audio recording, sound engineering, or performance spaces. Example: The sound engineer adjusted the microphone path to ensure an optimal recording of the live concert.

Exact(1)

Such a system thus implies specific echo-path models (adaptive filter) for every loudspeaker to microphone path.

Similar(59)

Hence, for the GFDAF, it is only possible to model either all or none of the coefficients describing a certain loudspeaker-to-microphone path.

This comprises the simplified model proposed in [45], but it would also allow for choosing individual impulse response lengths for each modeled loudspeaker-to-microphone path.

It is demonstrated that in conjunction with array centroid offset and dispersion, statistics of the microphone differential path distance can explain variations of performance metrics when steering at targets for immersive or near-field microphone applications.

To devise a method for identifying the impact location from the difference in the arrival times of the sound wave detected with the microphones, the propagation path of the sound wave from the impacted point to the sensor is examined.

These signals are fed to the LEM system, which is represented by the vector h that captures the impulse responses of all microphone-to-loudspeaker paths.

The transfer function represents the primary path from the reference microphone to the error microphone, and is the secondary-path transfer function between the output of adaptive filter and the output of error microphone.

The impulse response function of the passive path between the external microphone of a hearing defender to a reference microphone placed close to the ear canal of a user is presented in Figure 4.

And the feedback path is from the microphone, through the speaker, out of the speaker, back into the microphone.

They track him in a slow-motion cocoon of shoulder-wielded TV cameras and outstretched microphones that perilously obscure his path.

The fundamental problem with CC and GCC methods is their assumption that the microphones receive only the direct path signal.

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