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It is strictly a metrical element, not an element of expression.
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In order to do so, it is easier to calculate separately the derivatives of the function with respect to the elements of the metrical matrix, and also the derivatives of the metrical matrix with respect to the cell parameters, and then to use the chain rule Indeed must be evaluated for every function, whereas is constant for a given unit cell.
These coordinates are determined up to a Euclidean transformation by a fundamental element of the theory, the spatial metric, and are hence linked to the metrical structure postulated by the theory.
Firstly, we adopt several well-known metrical notions to order-theoretic metric setting.
Imaginative prose was more popular; it consisted of developments of Fenian or romance themes from Irish and foreign medieval literature mingled with elements of folklore and of the fabliau (a short metrical tale).
Already in the 17th century, C. Fuereccerus, a sensitive poet who introduced new metrical conventions and rhymes, at times also made use of stylistic elements from Latvian folk songs, and G. Mancelius, founder of Latvian prose, battled against folklore more in a spirit of affection than hostility.
But, for reasons which are still unclear, after around 1800 it became easier for people to imagine that Euclid's Elements might not be the only possible system of metrical geometry.
In his voluminous lyric output he experimented with a variety of metrical forms and forged a characteristic style, interwoven with neologisms and dialect elements.
The metrical account led to a progressive elucidation of a significant obscurity in Euclid's Elements: the parallel postulate.
A dozen years after "A Change of World" was published, Rich would look back on her earlier work — which includes her second volume, "The Diamond Cutters," and its metrical and imagistic tidiness — and admit that "in many cases I had suppressed, omitted, falsified even, certain disturbing elements, to gain that perfection of order".
Playing on the beat, but fluidly polyrhythmic, he left the home-brewed element in the music, with bass drum patterns unmistakably influenced by New Orleans second-line rhythm, and he deftly masked metrical shifts between three-, four- and five-beat rhythms, as Black did.
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