Mr. Corchado's careful nature comes through as much when he talks about driving as it does in the painstakingly meticulous lines of his drawings.
Some of her most recent work is on the walls of her studio: watercolour landscapes almost bleached white, over which she has written, in layer upon layer of rice paper, meticulous lines and columns of words.
Such notable American painters as George Caleb Bingham, Albert Bierstadt, and Worthington Whittredge studied there and subsequently passed on an appreciation of the hard-edged, meticulous lines of the Düsseldorf school to countless other American painters.
The Republicans' meticulous line-drawing through Charleroi was designed to force Mascara into a primary battle with his fellow-Democrat John Murtha, which it did.
Tending the plants on the rooftop terrace garden of her studio in a former army housing block in central Warsaw, Anna Szprynger is taking a well-earned a break from her meticulous line drawings.
Many leading artists, like John Currin, Matthew Ritchie, Inka Essenhigh and James Siena, favor a crisply meticulous line, a precise mechanical execution that stands in contrast to the spontaneous look of modern art, where all was fragmented and free.
You remember them from high school -- or you remember being one of them -- the guys who filled their notebooks with meticulous line drawings of broadsword-wielding berserkers and their large-breasted consorts, who staffed the tech crew for the spring theatricals and dominated the computer club, who used words like "grok" in ordinary conversation.
No colour here, everything stark, everything in meticulous black line and half tone.
But Gonzalez did enough for both of them, and Besler found his footing and helped him keep a meticulous high line that flummoxed the Mexicans — a welcome surprise for a pairing that had only a January camp and a few days of practice in March to get to know each other.
Writers of historical fiction, in my admittedly limited experience, are usually all too keen to stress how much research they do, and how the novelist's imagination is just the icing on the cake of what is, at heart, a serious, meticulous, quasi-academic line of work.
Described by authors as a meticulous, old-fashioned line editor who wrote long, detailed memos in response to manuscripts, Mr. Congdon worked at several publishing houses in the 1970s — Harper & Row, Doubleday and E. P. Dutton, where he was editor in chief.
