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The study demonstrated the usefulness of adopting a transfer appropriate processing approach to investigating memory for word valence in each hemisphere.
These findings are consistent with a recent study that examined memory for word lists and narrative texts in and around the introduction of shifts in the event structure (Pettijohn, Thompson, Tamplin, Krawietz, & Radvansky, 2016).
Schneider and Watkins [16] tested recognition memory for word lists with two participants responding loudly "old" or "new" after presentation of each item in the recognition phase.
Further, it has been proposed that arousal levels, irrespective of emotional mood valence, may be critical for feature binding in working memory [4] and long-term memory for word lists [5].
"Memory for word sequences" (GW) was the hardest factor to assess.
These findings settle the debate on intact versus impaired unconscious memory for word pairs in amnesic patients (Schacter, 1998).
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The astonishing claim made by Bem – apparently supported by his experimental data – was that memory for words is improved even if the rehearsal does not take place until after recall has been tested.
For example, the experiment that produced the largest effect size (experiment 9) took as its starting point the trivial observation that memory for words is better if one is allowed to rehearse the words as opposed to being exposed to them just once.
We were interested in whether this phenomenon applies to memory for words and designs (i.e., material specific memory).
Additional findings showed that bilateral superior parietal lobe activation was greatest for short-term memory for words, while left anterior inferior frontal gyri activation (centered around Brodmann's area 47) was greatest for single word reading.
In 1998, clinical neuropsychologist Agnes Chan of the Chinese University of Hong Kong and colleagues reported that adults who had studied music for more than 6 years had better memory for words but not for shapes.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com