Sentence examples for memorable programs from inspiring English sources

(Schweitzer) ★ New York Philharmonic (Friday, Saturday, Wednesday and Thursday) It is an important week at the Philharmonic, with two memorable programs.

Among its memorable programs were those that included concert versions of two early Mozart operas, "Apollo et Hyacinthus" and "Il Rè Pastore".

His most memorable programs include "Thrill," the story of two teenage boys who kill a young delivery man for no reason but to watch him die, and "Pro Se," in which Denis O'Hare appeared as a mentally ill lawyer who represents himself in a murder case.

Almost a year ago, we hosted Ai and young American filmmaker Alison Klaymen at the Paley Center in New York for one of the most memorable programs we've ever had in our Bennack Theater.

In one memorable program, a bracing account of Schoenberg's audacious First Chamber Symphony was followed by a Schubert sonatina for violin and piano, the premiere of a work for narrator and chamber ensemble by the Norwegian composer Nils Henrik Asheim and an intense account of Schubert's stormy late Piano Sonata in C minor by Mr. Lewis.

(Schweitzer) ★ Ian Bostridge (Monday) One of the great recitalists of our time, this brilliant tenor brings a dark, memorable program to Carnegie along with a glamorous accompanist, the pianist and composer Thomas Adès; works by Dowland, Mr. Adès, Liszt and Schubert frame Schumann's bitter "Dichterliebe".

Streep does nicely as the bad kid and we get many fine moments in this memorable program".

The company has a history of re-working children's classics into memorable afternoons in programs called "The Nutcracker," "Cinderella" and "Hans Christian Andersen" in past years.

Since that memorable run, the program has traveled past the second round of the N.C.A.A. tournament only twice and has not been back among the Final Four.

But "Love American Style" is better remembered as the show that capped off a memorable Friday night programming block on ABC during the 1971 and 1972 seasons.

Also memorable on that program were a high-energy performance of the chromatic, perpetual-motion "Caténaires" (2006) by Sandra Gu, a pianist; and a fluid rendering of the contrastingly sharp- and soft-edged sections of "Esprit Rude/Esprit Doux" (1985) and "Esprit Rude/Esprit Doux II" (1994) by Brook Ferguson, flutist; Brent Besner, clarinetist; and Nick Tolle, marimba player.