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By William McGuire and E. B. White The New Yorker, November 17, 1945 P. 21 Reconversion Note: The small mechanical figure of Hirohito in the window of the Broadway Gift Shop, opposite the Times Building, has received fresh makeup and a new custome.
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Automatons like the mechanical figures on the glorious Torre del Orologio in Saint Marks Square in Venice, where, every hour, two life size bronze figures wheel around to strike a huge bell, to the delight of crowds below.
The mechanical figure – that also featured as part of the London 2012 Olympic celebrations – will take a starring role across the weekend that sees the coming together of two of the Midland's best-known historical figures.
Particularly for Americans today, a Madame Tussaud's or robotic light show is far more exotic than any painting". The mechanical figure was created as the star of a touring multimedia stage production to be co-produced by Warhol and Broadway impresario Lewis Allen.
The first was a humongous thing called the Grand Carousel that was built in 1915 and had a boatload of animals, chariots and three exceptionally weird mechanical figures at the center of it – a woman waving a conductor's baton and a man on each side of her ringing a chime — all with frozen smiles of course.
Adapted from [11]. Figure 2 Illustration of mechanical design of the biomimetic radial pulse on SolidWorks.
Figure 2 illustrates the mechanical design of the biomimetic radial pulse sensor using SolidWorks.
The skyline-in-a-paperweight look is enhanced by lavish displays of mechanical figures, toys and other delights for children in department store windows.
The effigies are at their eeriest at the Last Supper, a "show" in which the audience sit in front of 13 mechanical figures who barely move, while neon spotlights shoot in different directions to a soundtrack of Handel's Zadok the Priest.
One, the "Black Box" from 2006, is rigged with a small army of costumed mechanical figures (resembling adjustable arms from desk lamps) that move along tracks onstage, with the mechanisms visible from the sides.
As with Udaltsova, she studied in Paris under Metzinger and Le Fauconnier, and she must have scrutinized Leger from the beginning, because "Composition With Figures," its mechanical figures locked in a shimmer of gold-blue faceting, is very close to his style.
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