Sentence examples for means conceived from inspiring English sources

Handsome and flamboyant, as befits a man whose name means "Conceived the Beautiful", the Sicilian took charge of the 1968 and 1970 finals.

The New Yorker, September 30 , 1939P. 11 Talk story about Professor Hughes Mearns, author of "The Little Man Who Wasn't There," Means conceived the words in 1910, and never dreamed they might someday make the rad program called "The Hit Parade".

By E. J. Kahn The New Yorker, September 30, 1939 P. 11 Talk story about Professor Hughes Mearns, author of "The Little Man Who Wasn't There," Means conceived the words in 1910, and never dreamed they might someday make the rad program called "The Hit Parade".

For all that, Natorp by no means conceived philosophy as a humble handmaiden.

Hard work in Mr. Thun-Hohenstein's case meant conceiving programs ranging from the music of 20th-century émigrés to the work of performance artists in the Eastern bloc; maintaining contacts with cultural institutions around the country; even hanging shows himself in his building's diminutive exhibition space in the wee hours of the morning.

Medically transitioning meant coming out to all our friends and family and most importantly to me, it meant conceiving a second child.

The exchange, however, goes straight to the heart of cities' tangled history with the automobile -- undoubtedly the most inefficient, and most aggressively defended, means ever conceived for transporting large numbers of people through crowded places.

"I wish couples who desperately take every means to conceive a child would realize that adoption is a wonderful alternative.

Our objective, therefore, was to empirically investigate how agile teams evolve to maturity, as a means to conceive a theory for agile software development evolvement that considers agile teams nature.

She believes that one of the greatest successes of her work (and not something that sells retreats) "is helping a woman be okay with things as they are, even if that means not conceiving".

With Curating People (2011) and Making Time (2012), we convened artists, curators, and scholars from the disciplines of visual, cinematic, sound, and performing arts to consolidate and refine our collective thinking about cross-media arts experimentation, about what it means to conceive it, to produce it, and to respond as receivers and critics.