Sentence examples for meaningless objects from inspiring English sources

His readymades give meaningless objects meaning-laden titles — most notoriously, the urinal called "Fountain" (1917).

Ms Swinton was surrounded with relics of famous dead people who had become icons in an earlier age, including Freud, Queen Victoria and Charles Dickens.Her art often speaks of connections with the past, especially of the contemporary obsession with celebrity and how it confers value on seemingly meaningless objects".I love the power of the relic.

During the Dirty War in Argentina, tens of thousands of political dissidents -- los desaparecidos -- were kidnapped, tortured, and disposed of like meaningless objects.

Experimental stimuli were either color pictures, selected from a standard picture library (Hemera Technologies, 1997), representing real-life objects such as apple, cup or elephant (i.e. familiar or meaningful objects, n = 200) or color pictures of unfamiliar objects (i.e. meaningless objects, n = 200) – see Figure 1 for some examples.

This suggests that higher visual areas are recruited if high-order regularities can be extracted from stimuli (i.e., objects vs. scrambled objects; meaningless objects vs. meaningful objects).

Deregulation of the dopaminergic system leads to the production of dopamine regardless of incoming stimuli, which results in giving meaning to their meta-representations, thereby creating a misguided inner reality of actually meaningless objects.

Conversely, the small number of significant information flow during meaningless object processing was all one-sided, possibly indicating unidirectional communication in the sense that one brain side constitutes the oscillatory drive of the other [13], [52], [55].

The sentences were either semantically, grammatically and syntactically sensible and correct, or rendered incorrect and non-sensical by the insertion of an irrelevant word (e.g. "I often carpet feel like a meaningless object not a person"; bold font for illustration only).

They depicted 11 randomly generated complex 3D surfaces, representing the front surface of meaningless 3D objects, with a large assortment of variably shaped hills, ridges, valleys, and dimples, at multiple scales (see [15] [17]).

They depicted 11 randomly generated complex 3D surfaces, representing the front surface of meaningless 3D objects, with a large assortment of variably shaped hills, ridges, valleys, and dimples, at multiple scales (see Norman et al. 1995, 2004; Fleming et al. 2004; Todd et al. 2004).

Indeed, Moore and Price highlight the perceptual role of the right anterior and posterior temporal regions because activation in these areas was higher for drawings of meaningless non-objects than drawings of familiar objects.