Sentence examples for mean conservation from inspiring English sources

In the pre-conservancy era 2004 Mara surveys, mean conservation incomes to households earning from what were then wildlife associations and campsites averaged just 25% of their 1998 value.

Whereas the conservation of the synthetic motifs used here is independent of position, Eisen (2005) notes that real TFBS motifs with low mean conservation often have clusters of well-conserved positions; we believe that differences in the distribution of high and low conservation across true motifs in comparison with synthetic motifs explains the improvement in performance on real data.

Analysis of the previously characterised motifs used in this study indicates that motifs with low mean conservation may have several positions which are very well or even perfectly conserved.

A finite-volume (FV) method is used to solve the mean conservation equations for mass, momentum, and energy and the mean equation of state; and a particle method is used to solve the modeled PDF equation.

Values were averaged over the 50 terminal intronic nucleotides to yield a mean conservation level of that region.

We define the mean conservation score for each 3-node pattern as the mean conservation scores of all genes that form the pattern's occurrences (Methods).

But with perpetually limited resources, this meant conservation essentially occurred on a catch-as-catch-can basis.

However, the key question is whether the conservation of expression patterns of network constituents necessarily means conservation of functional network interactions.

We found that the aligned T. biloba sequences were 82.3% conserved (mean sequence conservation taken from a subset of 500 BLAST hits) indicating that BLAST may not be sufficient to identify some sequences.

However, the unofficial leopard sanctuaries along the border now mean that conservation charities in the area are in the unusual position of planning to oppose new plans to remove landmines.

Alberto Burri, a 20th-century Italian painter, had a fondness for burned plastics—a "nightmare for conservators", says Giacomo Chiari, chief scientist at the Getty.What does the explosion of new paints mean for conservation, cleaning and display?