To what extent did artists themselves, located in complicated colonial and post-colonial conditions, already work by translation between languages, materials, and worldview?
We will focus, in short, on the forms in which religious worldviews found material expression.
Google is profiling you through your searches and directs you to the material most likely to reinforce your worldview and ideology.
An intriguing concept is sometimes used in efforts to articulate the possibility of developing a worldview for which the material world is intimately intertwined with meaning and holiness.
Convincing someone that this didn't really happen is disturbing, and among scientists, whose worldview depends on the material world being real, hackles are raised as soon as you say otherwise.
Luther had something of a medieval worldview in which symbols of the material world signified another invisible, divine order.
Not only the time-space, the characters, but the worldview, the sensibility, the historical and material and social moment.
If we truly accept the materialist worldview of modern times (everything is composed of material, and all phenomena – even mind – arise through material interactions), then a basic neural difference does not strictly teach us anything new, because for every difference in mental state, there must also be an associated difference in the brain.
As in any worldview with associated rites and sacred materials, followers participate in varied ways and to different degrees.
Even when their material isn't autobiographical, it's still personal — their worldview, their judgment — and it's judged immediately: laugh or no laugh.
