Sentence examples for material unity from inspiring English sources

I would advise a beginner interior designer to… respect rules on simple subjects: material unity and colour unity.

For instance, the material unity of natural philosophy in the 16th and 17th centuries relied on the circulation, transformation and application of objects, in their concrete and abstract representations (Bertoloni-Meli 2006).

The installation as a whole, like so much of Mr. Alÿs's work, is incisively worldly and materially ungraspable: a compilation of documentary material that gains unity in the mind as a lasting afterglow.

It also has the ratio of compact to fluffy particles close to the one found in situ for comet 1P/Halley and the mass ratio of silicate to carbonaceous materials equal to unity that is in accordance with the elemental abundances of Halley's dust found by Giotto mission.

Proposition 1 The price of a secondary material is not greater than unity, i.e., than the price of a brand-new material for capital use, and positive if the value of l 5 is sufficiently close to that of l 2.

Works by 20th-century artists from Georgia O'Keeffe to Bruce Nauman attest to the influence of these objects but rarely equal their seamless unity of material, technique and expression.

Some observers suspect that only the student defendants will be jailed – even though, according to the ECRF's Lotfy, "there is nothing that we have seen in the evidence that [shows] the students have made material that threatens national unity, and there's no evidence we've seen that they belong to the Muslim Brotherhood".

Physics, as a standard bearer of unity both material and formal, has been defended as the natural domain of validity of the explanatory interpretation (for instance, in Wayne 1996).

The comprehension of the unity of materials and energy conversion is the basis for energetic effective design of materials conversion processes.

And the more the visual material is unrelated, the more unity you have to preserve on the soundtrack: the sound bridges the gaps.

It does this by revealing the overriding unity of visual material in most African cultures, the seamless progression from objects of physical adornment to those of mundane use to those of spiritual worship.