"Jeff Koons: Highlights of 25 Years" at C&M Arts has tremendous visual and material punch.
Alanna Nash of Entertainment Weekly thought that Diffie "[sang] in his natural voice", but thought that its material "punches all the predictable thematic buttons".
The punch press is a further classical example of impact noise: the force is built up in the punch relatively slowly, and the whole machine is strained until the load on the material being punched reaches a yield and shortly afterwards a fracture level.
The friction between the punch tool and the punched material actually induce tension of the tool.
Mr. Ortega, working with four editors (Don Brochu, Brandon Key, Tim Patterson and Kevin Stitt), has punched the material into classic behind-the-scenes documentary shape, complete with teary testimonials from the show's demonstrably wowed dancers, the occasional impromptu moment and plenty of canned sentiment.
How are the materials and products of a technological civilization formed e.g., by extruding metals or polymers through dies, rolling material into sheets, punching out complex shapes, and so on?
In the historical exhibition, we are led from early mechanical calculators to an advance that shaped computing for decades but relied on mundane material: paper cards with holes punched in them.
The strain distribution in the material during punch-stretching under different states of strain has been studied.
The acquired results are then used to investigate the effect of material distribution, punch radius and plate span on the contact parameters.
Rolinson's installation, consisting of 13 variously sized panels of punched steel - a material that will be familiar to anyone waiting for a train who has observed the metal seating on the railway platform - stretches from floor to ceiling, intermittently obscuring and framing the five dancers.
