As philosophy is closely related to science and because it is charged with a task that allows the production of knowledge about the other socio-economic practices to be generated, it is probably best to start with Althusser's understanding of philosophy as a material practice of production before proceeding to a discussion of how Althusser understands the other practices listed above.
In order to do this I first explore an approach to teaching auditory rhetoric based on ways of knowing sound from an acoustics and musicology perspective, then I consider a phenomenological approach based on listening, and finally I construct a model of "tuning the sonic playing field" that draws on the literal, material practice of tuning as a metaphor for how sound may be taught in composition.
The collaborators then created a number of experimental baskets that combined Aranda\Lasch's interest in rule-based systems (using the computer) with Johnson's material practice of weaving.
It explores what purchase can be gained on understanding categorical uncertainties from the perspective of materiality and material practices.
Institutional logics can be generally understood as "the socially constructed, historical pattern of material practices, assumptions, values, beliefs, and rules by which individuals produce and reproduce their material subsistence, organise time and space, and provide meaning to their social reality" (Thornton and Ocasio 1999, p.804).
While state power is increasingly understood as the effect of material practices and processes, I draw on the idea that objects are 'force-full' to argue that infrastructure helped cement federal state power in Tijuana over the twentieth century, and simultaneously limited the spaces of stateness in surprising ways.
For instance, if you want to become a more confident public speaker, visualize yourself learning how to present your material, practicing ahead of time, waiting to go on stage, and then delivering the actual speech.
In the end, Clark never fully anatomizes how individual academics — those strange creatures flapping about in their batlike gowns — came to possess inherent charisma, as opposed to the authority conferred on them by chairs, titles, and the other "material practices" that form the core of his study.
The analysis indicates that the differences in mobility and economic pursuits between longer-term residential sites containing pit structures and a shorter-term seasonal residential site with ephemeral architecture structured the raw material procurement practices of site's occupants.
"Miyake Issey Exhibition: The Work of Issey Miyake," organized in 2016 by the National Art Center, Tokyo, emphasized his fascination with the future as well as his respect for the materials and practices of his Japanese heritage.
