Sentence examples for material of paint from inspiring English sources

Alan Davie, Terry Frost, Patrick Heron, Roger Hilton, Peter Lanyon, William Scott and Bryan Wynter explored the sensitive zone between representation and abstraction: testing the expressive potential of the material of paint itself, and of the mark and gesture, while retaining semblances of subject matter, external references or imagery.

Artist Ekow Nimako doesn't just build sculptures out of the traditional material of paint or clay, he carves them from objects of his young obsession: Lego.

After all the years of videos, rumpled beds and elephant dung, a truly shocking contemporary artist emerged last night as the bookie's favourite to win the £20,000 Turner Prize - Michael Raedecker, who creates delicately beautiful, eerie landscapes in the traditional materials of paint and embroidery on canvas.

The artist, known for producing monochromatic installation pieces that play with color, tone and the material nature of paint, is getting her first solo museum show in her native California in 40 years.

Against their illustrative realism and patriotic myth making, Marin sought an equivalence between the energy of nature and the formal and material vitality of painting.

Through the scale and material capaciousness of painting, she celebrates, decorates and really venerates the black female body by making it and its lavish surroundings bracingly tangible.

The California-based neo-Dadaist Richard Jackson has built his three-decade career on asserting the material dimensions of painting to absurd extremes.

It reminds us that new painting is always, in a figurative sense, painting out the old, and it evokes the familiar Modernist tension between the material reality of painting and the imaginary space of the picture.

An unpredictable mix of Expressionism, Primitivism, Symbolism and political allegory, his earthy paintings have one eye on war, pestilence and nostalgic memories, the other on the formal and material possibilities of painting itself (Johnson).

Each of these approaches brings its own deep literature that can easily inform the others, but only when disciplinary propriety is replaced with the pragmatic combination of all available materials to paint a complete picture of a trait.

In the field of conservation-restoration of works of art and in the forensic analysis of works of art it is often necessary to analyse multilayer materials (e.g. formation of paint layers of paintings, polychrome paint …).