The phrase "mastery of movement" is correct and usable in written English.
You could use it to describe someone who is highly skilled in a specific physical activity. For example: "With years of practice and dedication, he achieved mastery of movement in martial arts."
Sharks of the sky, their speed and mastery of movement is dumbfounding.
Film from a 1967 Stockholm concert showcases his mastery of movement.
At all periods in Brahms's work one finds a great variety of expression from the subtly humorous to the tragic but his larger works show an increasing mastery of movement and an ever-greater economy and concentration.
I intend no mockery: those were all juicy roles (and "Jezebel," at least, is a great film), and Davis brought to them her flashing eyes and scalding voice, her mastery of movement and emotional detail, her willingness to be unlikable; she was a truly great and daring movie actress.
The 1st-century writer Pliny cites Myron as the first to achieve lifelike representation in art, but it would be more accurate to say that he was the first Greek sculptor to combine a mastery of movement with a gift for harmonious composition.
Based on the mastery of fundamental movement skills (FMS), the developers of this program argued that it produced substantial improvement in movement skills over a relatively short period of time.
Both were exceptional performances, with "Three" showing Mr. Naharin's compositional genius and the dancers' mastery of his particular movement style and its display of extreme displacements, naturalistic gesture and improbable juxtapositions.
May 6, 1902 Saarbrücken, Germany March 26 , 1957Hamburg, Germany Max Ophüls, original name Max Oppenheimer (born May 6, 1902, Saarbrücken, Germany died March 26 , 1957 Hamburg, West Germany) German motion-picture director whose mastery of fluid camera movement gave his films a characteristic lyrical flow.
Each week children participate in a variety of activities aimed at improving their mastery of 12 fundamental movement skills (run, jump, leap, hop, slide, gallop, strike, roll, kick, throw, catch, bounce).
Each technique they practised during the sessions that followed was precise, demanding mastery of the subtle movements of leg, arm, hand and back.
What Hamilton loved so much about Joyce was the mastery of language, the fluency of movement, the "polyphony of tongues, codes, ideolects" that released and inspired Hamilton himself to try out "some implausible associations in paint".
