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"Caché" and "The White Ribbon" (Michael Haneke, 2005 and 2009): The Austrian director is a malevolent master of suspicion, surveillance, paranoia, and sin.
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After all, as the philosopher Paul Ricoeur famously put it, he was one of the three great "masters of suspicion" (the others being Marx and Freud).
He has been cited as one the nineteenth century's three masters of the "school of suspicion", alongside Friedrich Nietzsche and Sigmund Freud, and as one of the three principal architects of modern social science along with Émile Durkheim and Max Weber.
This is a world of suspicion, rumours, divided loyalties: of black and white, servant and master, Rhodies and British whites.
An atmosphere of suspicion prevails.
That look of suspicion.
There's a lot of suspicion around.
"It is the sense of suspicion.
"There's a surfeit of suspicion".
The level of suspicion has risen dramatically.
The second and third hermeneutics are hermeneutics of suspicion.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com