Sentence examples for master of moving from inspiring English sources

Exact(5)

Once the rally begins, Federer is a master of moving forward.

Mr. Moschen, the only juggler to have won a MacArthur "genius grant," is a master of moving objects.

He was a master of moving the ball past opposing players after one his feints had left them sprawled on the grass.

A master of moving the fashion conversation to a new place without closing the door on the old one, Mr. Lagerfeld continued to give volume to his clothes, but now with touches of bias shirring that articulated a more fluid line.

In fact he has been showered with praise for most of his time in Germany, the papers describing him as one of few players "who stay focused for the entire 90 minutes" and a "master of moving around without anyone noticing him, to provide goals or score them himself".

Similar(54)

"How do dancers, as masters of moving consciousness into action and form, access and create from this potentiality?" they ask.

To help players master the art of moving on-screen objects solely through concentration, the headset will come bundled with a game, set on a magical mountain, that includes practice exercises, said Geoffrey Mackellar, Emotiv's research and development manager.

Yet in many countries, including America, Britain and Japan, the new "unconventional" tools are not working very well.Before the financial crisis central bankers merely had to master the art of moving one main lever (short-term interest rates) up or down in quarter-point increments, to influence growth and inflation.

The horses began shuffling around in a slow, circular procession, as Cave chanted, "Right, left, right, left!" After a few minutes, the pairs — the dancer inhabiting the head standing upright, the one behind bent forward at a ninety-degree angle — began to master the logistics of moving as one, and started showcasing fancier equestrian traits.

In life you will not always win, but you will have to master the art of moving on and trying again.

Few contemporary composers are better poised to trade on the saxophone's ambivalent status than John Adams, who long ago mastered the art of moving nimbly between the classical and pop worlds.

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