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A Black Mass scene, for example, features a Jewish star painted on the floor, in place of the standard-issue pentagram.
It is not particularly gratifying to see the fact of white power cynically exaggerated, as in the "Purge Mass" scene, during which corpse-like country clubbers in their Fox Business finest chant "Purge and purify!
It all builds up to a horrible climax in the present day – that is, Christmas night, although it is one of this film's oddities that aside from some remarks at the beginning, and the midnight mass scene, none of the characters refers to the fact that it is Christmas, or that various diners and clubs are open on what the title declares is a Christmas holiday.
While you have this glitzy, over-hyped, pumped-up hyper-capitalist mass scene, you also have all these fascinating undercurrents running beneath it.
Although actual numbers are generally vague in these mass scene stage directions, dance scenes like that of the cyclops, and all the cupids who will join them on the floor minutes later, rely on coordination, choreography, and generous collective effects.
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This general has no superego, but he certainly has a super ego; in mass scenes that he staged for Schroeder, he presents himself as the living spirit of his country.
This swing scene was included by Behindwoods in its list of "Top 20 Mass Scenes".
The new Fame revives the mass bop scene in which students spontaneously start improvising, dancing and jamming in the middle of the day through sheer life-affirming vitality and, just as before, this supremely embarrassing sequence is as unwatchable as the most explicitly violent horror film.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com