First, a definition "chosen for a role in aesthetic theory should mark a distinction that is … significant for aesthetic theory" (p. 299), and Beardsley's does.
7. Chuard (2007) warns against the inference from analog representation to nonconceptual content, suggesting that the analog/digital distinction might mark a distinction between two types of conceptual content or a distinction between vehicles, rather than between different types of content.
A nursing home owner as well as the chancery clerk, or county financial administrator, Mr. Childers, 50, styled himself a Mississippi Democrat, marking a distinction with the national party, which he said he disagreed with on some issues.
Much of Darwin's chapter on hybridism is dedicated to providing counterexamples to the claim that hybrid sterility marks a distinction between species and varieties.
The sudden drop of incidences at ~35.75°E is partly explained by the extent of miombo woodland areas (see Fig. 4) and it marks a distinction between an early dry season burning dominated west to a late dry season burning dominated east.
Philosophers of religion have sometimes marked a distinction between the anthropomorphic language of myth and popular piety, on the one hand, and the conceptual and abstract categories of philosophy, on the other hand, as though when we repair to the metalevel of analysis we leave gender-inflected language behind.
Nonetheless, this presence of kisspeptin neurons in the AVPV of WT male mice marked a distinction from the absence of immunoreactive kisspeptin in the AVPV of the male rat reported recently by Bentsen, et al. [18].
The return of deities and renewed adherence to religious norms were a means of signalling Buddhist devotion as well as Tibetan identity, marking a distinction from the Maoist period of moral uncertainty.
The sudden drop of incidences at ~35.75°E is partly explained by the extent of miombo woodland areas (see Fig. 4) and it marks a distinction between an early dry season burning dominated west to a late dry season burning dominated east.
There are certain composers on whose work Solti has stamped his mark with a distinction that has never been equalled, nor probably ever will be, so that his conduit of their intentions has become integral to the experience of listening to them: Wagner, Strauss and Mozart arguably – Mahler unquestionably.
Both philosophers and psychologists have found it useful to mark such a distinction.[1] More recently, Crane (2003) calls attitudes in this broader sense 'intentional modes'.
