The phrase "manipulation of time" is correct and usable in written English.
You can use it when you are talking about changing or altering the passing of time, or when referring to any processes or techniques for controlling, managing or altering the flow of time. For example: "The scientists developed a revolutionary new technique for the manipulation of time, allowing them to slow down the passage of time."
The manipulation of time — fractured, layered, circular — ties together the work in these shows.
I've come to the conclusion that form is all about the manipulation of time, rather than shape.
Ms. Neuwirth, who once considered becoming a filmmaker, is particularly interested in the manipulation of time in music.
As ever with O'Farrell, it is her manipulation of time that infuses the most humdrum of stories with brilliance and suspense.
Everything in his work, in particular the manipulation of time and perspective, is directed to the aim of varying understanding across the widest possible context.
The radical manipulation of time is explored in DeLillo's novel, which brings an Iraq war planner, his daughter and a filmmaker together at a house in the desert.
Oddly – and everything about Leine's work is decidedly odd – this engagement is effected utterly without any attempt at seduction through character: the story's momentum is dependent more on the clever manipulation of time-jumps and on the sheer strangeness of the narrative environment than on any charm on the part of its enigmatic main protagonist, the reluctant priest Morten Falck.
Although current commercial balance boards allow for variable stiffness, they do not allow for manipulation of time-delay.
Tense logic is now also employed for the manipulation of time-dependent data and has numerous applications in computing, including database management, program verification, and commonsense reasoning in Artificial Intelligence.
As well as the Queen of Hearts' constant orders to cut off that precious part, the story offers disorienting size changes, mind-boggling puns, odd manipulations of time and a psychedelic sensibility that's more 1960s than 1860s.
Resnais's cheerful artifice distills his characters' lifetimes of regret, frustration, and pain into an elegant envoi; in a minute-long monologue delivered by Sabine Azéma — Resnais's wife, now his widow — the director, famous for his manipulations of time, divulges the romantic secret at the core of his art.
