Sentence examples for manipulation of colours from inspiring English sources

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McCullin particularly dislikes how digital cameras allow for manipulation of colours.

The experiment required manipulation of colours, orientations, or both colours and orientations in WM.

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By the late 1860s, Manet's art reflected a new aesthetic which was to be a guiding force in Impressionist work in which the importance of the traditional subject matter was downgraded and attention was shifted to the artist's manipulation of colour, tone, and texture as ends in themselves.

However, we do not believe that this artificial manipulation of colour patterns per se explains the results.

Theta burst rTMS over left IFG and right PC led to impaired WM performance relative to baseline (sham TMS) when the task involved manipulation of colour and orientation conjunctions (dual task), but not when a single feature was manipulated.

In order to facilitate reading and composing text, the manipulation of colour (background or foreground colour) has become recognised as a useful form of assistive technology for people with learning disabilities [ 19] as well as a method of cognitive intervention within neuropsychological rehabilitation [ 20].

I argue that novel pest management strategies evoking strong fitness trade-offs are the most likely to persist in the face of unbridled pest adaptation, and offer the manipulation of crop colours as a worked example of one potentially effective strategy against insect herbivores.

Achieved through the systematic and precise manipulation of shapes and colours, the effects of Op art can be based either on perspective illusion or on chromatic tension; in painting, the dominant medium of Op art, the surface tension is usually maximized to the point at which an actual pulsation or flickering is perceived by the human eye.

Further experiments involving the manipulation of male throat colour are needed to directly examine the role of this sexually dimorphic trait in female preference.

Given these limitations, the development of time and cost effective approaches for manipulation of orchid flower colour and shape is needed.

Rollins displayed an interest in unaccompanied saxophone improvisation and gross manipulations of tone colour long before such techniques became common in modern jazz.

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