Sentence examples for manipulated version from inspiring English sources

Exact(10)

In elaborately edited sequences, some of which have been taken from television, the creatures proceed in rhythm with a woozily manipulated version of Emmylou Harris's ballad "Wrecking Ball".

In the quick-cutting, heavily manipulated version of reality that Mr. Murray calls commercialized documentary, the apartment carries a lot of narrative weight, stimulating the action and framing it in pretty colors.

Bolkonsky, for example, is a manipulated version of Tolstoy's mother's family name, Volkonsky.

b, Image of a rat bladder (left) and digitally manipulated version (right) to allow measurements of the volumetric changes in size during cystometry.

One of CHWA's "comp boards" — a "comp board" is an image created by an advertising company to convey a proposed design — used a manipulated version of the Garnett Photograph and superimposed on it the words "Iced Out" ("ice" being slang for diamonds) and a picture of a can of Coors Light beer (the "Iced Out Comp Board").

That would mean that the President, instead of following normal declassification procedures and publicly releasing a redacted version of the NIE, authorized an aide to present a cherry-picked and manipulated version of that document to a friendly New York Times reporter on deep background.

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Similar(50)

Propped against the walls in the adjacent gallery are silk-screened paintings — digitally manipulated versions of pages from the New York Times and Wall Street Journal — overlaid with patterns of bricks.

Their 1966 single "Good Vibrations" was one of the first pop songs to incorporate psychedelic lyrics and sounds, making use of a Tannerin (an easier to manipulate version of a Theremin).

Abnormal versions were manipulated in Photoshop (version 7.0, Adobe, USA) by superimposing a photo of an object onto a different contextual background such that the object was in the foreground and appeared against a background with which the object is not usually associated (abnormal conditions) (fig. 1).

Of course, we know that the artist can mediate the image; she can manipulate our version of the truth in countless ways -- lighting, exposure, camera angle, diffusion, overt alteration, context and omission -- to construct a narrative that comports with artistic intent.

For example, a photograph of a coastal forest of Corsican pine in North Wales could be contrasted with a version manipulated digitally to remove the tree cover.

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