Sentence examples for manipulated all of from inspiring English sources

What impressed many of those who were present was the use of colour symbolism in the costumes, settings, and lighting and the extraordinary consistency with which Craig manipulated all of the elements of the mise-en-scène.

In cells that have sufficiently active glycolysis to support metabolism while mitochondrial function is manipulated, all of the major aspects of mitochondrial coupling and respiratory control can be measured in a single experiment.

Richard Eyre's production dextrously manipulates all the elements of his 1907 A Flea in Her Ear: the swivelling bed, the swilled-down pee, the wrongly slapped cheeks, the scented notepaper that makes people sneeze, the man who can say only vowels because – John Mortimer's translation puts it succinctly – since he has no roof to his mouth, the consonants get lost "somewhere behind his face".

As the four Links battle thousands and thousands of evil creatures and monstrosities that have suddenly surfaced, it becomes increasingly obvious that there is an even more sinister force behind Vaati that is manipulating all the events of the game behind the scenes.

There's humour at play in Kent's direction and Paul Brown's designs – all these women manipulating all these tiny erections of mast and sail, all these drunken sailors cavorting about with inflatable palm-trees and mermaid breasts.

Indeed, Web Designer allows you to manipulate all of your code directly in a built-in editor and lets you quickly preview your creations in every browser you have installed on your machine.

Filed in late 2007 and hitting the open air a few days ago, the patent details a device with accelerometers, buttons, transmitters, receivers, and proximity sensors that you carry from room to room in order to manipulate all of the electronic devices in your "connected home".

To make the music, Lynch records in Ableton Live with a combination of live instruments, synthesizers, and sampling, manipulating all of these sounds in various ways.

These bodily feedback accounts are notoriously difficult to test with causal methodologies, because of the difficulties in fully isolating the brain from the body or in simultaneously manipulating all of the relevant bodily feedback systems (see Dunn et al., 2006).

They include a violinist, a cellist, a double bassist and three people busily and expertly manipulating all kinds of objects to create sound effects.

The robots would also have to get to the point where they can manipulate all kinds of materials, from wood to ceramic to plastic.