The government has had a clear agenda to force junior doctors into working more hours for less pay, to help deliver its nonsensical "seven-day NHS" manifesto pledge in the face of a £22bn NHS efficiency savings programme.
The Russian Futurists, or Suprematists, declared their lineage from Jarry and their affiliation with the Italian Futurists in their first manifesto "A Slap in the Face of Public Taste" (1912).
He also wrote futurist poetry and collaborated with the poet Vladimir Maiakovsky on the famous manifesto "A Slap in the Face of Public Taste" (1912).
Among many notable literary and artistic manifestos are Filippo Tommaso Marinetti's "Futurist Manifesto" (1909); "A Slap in the Face of Public Taste" (1912), by David Davidovich Burlyuk and others; and André Breton's "Manifesto of Surrealism" (1924).
An early example is a pushy little book-size manifesto titled "A Slap in the Face of Public Taste: In Defense of Free Art, Verse, Prose, Essays," cobbled together in 1912 by the the poet Velimir Khlebnikov, the artists David Burliuk and Vasily Kandinsky, and other members of the self-styled Russian Futurist group.
Formed in solidarity with the Movement for Black Lives, Black Women Artists for Black Lives Matter is a collective whose manifesto states, "We come together in the face of the erasure, exclusion, and outright violence against Black bodies that has flourished under global white supremacy".
In 1912 the group published a manifesto, Poshchochina obshchestvennomu vkusu ("A Slap in the Face of Public Taste"), and Mayakovsky's poetry became conspicuously self-assertive and defiant in form and content.
In June, the author Ludvík Vaculík published a provocative manifesto, known as The Two Thousand Words, urging the reformers to hold firm in the face of Kremlin intimidation.
The reason for the U-turn was that the prime minister was running scared in the face of criticism that not raising NICs had been a manifesto commitment.
In the face of pervasive ecological, climatic, and political crises, agency rescues architecture from its own inwardness and obsolescence through means, methods, manifestos, devices, sites and forms that embrace an architecture of radical engagement.
