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Since social software has been added to the portfolio of technologies for knowledge management, the emphasis of support for knowledge work has shifted from collecting manifestations of knowledge to connecting people.
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On the other hand, if Ryle insists that manifestation of knowledge-that requires a prior act, it seems there is no principled reason why manifestations of knowledge-how wouldn't be subject to the same requirement.
This proposal, defended by Timothy Williamson most influentially in his Knowledge and Its Limits (2000), would allow Hetherington's manifestations of knowledge-that to all be explained by single, underlying unified factor.
Art as a manifestation of knowledge: Our proposition is that art and arts can also be understood as a manifestation of knowledge.
This is based on an understanding of arts as a manifestation of knowledge.
In fact, artistic research represents one crucial expression of arts as a manifestation of knowledge.
Art and arts can also be understood (and re-invented) as a manifestation of knowledge, knowledge production, and knowledge creation.
The following are the propositions we want to suggest for further discussion: 1. Art as a manifestation of knowledge: Our proposition is that art and arts can also be understood as a manifestation of knowledge.
Based on this paradigm of knowledge, arts as a manifestation of knowledge and artistic research clearly enable to cross-connect and interconnect the arts with knowledge.
These two acts are subject to different norms: The former purports to be a manifestation of knowledge, while the latter does not.
These propositions should be regarded as input for discussion and discourse: 1. 'Arts as a manifestation of knowledge': By defining arts as a manifestation of knowledge (in complementary extension of a more traditional understanding of the aesthetic dimension of arts), the artistic research and arts-based innovation then interflow directly with art and arts.
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