Sentence examples for manifestation forms from inspiring English sources

Exact(3)

We have mainly considered two manifestation forms of the plethora of artifacts at the various system layers: 'files' at the more technical layers (infrastructure/application), and 'information objects' at the more informational layers (workflow schema/content schema/information).

In Caucasians, for example, two extrinsic skin aging manifestation forms are divided regarding their skin type.

Furthermore, there are of course many other models available, e.g. that of the The Data Publication Pyramid, developed on the basis of the Jim Gray pyramid, to express the different manifestation forms that research data can have in the publication process: Reilly S, Schallier W, Schrimpf S,  et al. : Report on integration of data and publications.

Similar(57)

A standardized clinical manifestation form is completed at baseline and at follow-up visits [ 25].

In its theoretical part, the Handbook precisely defines the manifestation of forms of abuse and neglect, the consequences for the development of the child and the risk factors.

Man does not represent a new type of being but rather a new manifestation or form.

It is this enormous volume of water, in its various manifestations, that forms the discontinuous layer, enclosing much of the terrestrial surface, known as the hydrosphere.

Thus, no classification should ignore the concrete historical individuality of religious manifestations in favour of that which is common to them all, nor should it neglect to demonstrate the common factors that are the bases for the very distinction of types of religious experience, manifestations, and forms.

"We therefore urge CUPE National to move beyond its existing parochial physical-health conception of workplace and union-space safety towards one that ensures workplaces and the union are free from sexual harassment and violence in all manifestations and forms".

In France, drawing plays a major role, especially in the work of the painters of the École de Paris (School of Paris), such as Pierre Soulages and Hans Hartung, who consider the line, the framework of lines, and the network of lines, as primary manifestations of form.

Rhythm is a natural and human phenomenon that spans multiple manifestations as form of art.

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