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The deep reddish tonality of "Vacationer," Seymour Rosofsky's painting of a man rowing a boat through city streets, establishes an apocalyptic tone, although his black and white lithograph "The Family" is somewhat more comical.
Across the room from Polk, another family member was prominently displayed: a tall, lean young man rowing crew — Win's grandfather, who attended Princeton, as had Win's father, all of Win's uncles and all of his great-uncles on his father's side.
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A 72-year-old man rowed him the final 10 miles to the mainland, past German positions, and gave him skis.
The reasons for the triumphant success of the landscape with exotic-looking men rowing in a boat against a backdrop of palm-trees may well lie in the echo that the subject sends back to Gauguin's Tahitian period oeuvre.
The shell cruises back easily, the men rowing with just a single hand to practice "feathering," effortlessly releasing the blade from the water.
The men rowed down Orleans to Broad Street.
When the whale tired, the men rowed up to it and stabbed it with a long steel knife.
But then the winds disappeared, the sea grew calm, and, while the men rowed, a gloom settled over the boat.
As soon as the lifeboats steadied themselves on the water, the men rowed furiously away from the ship.
While the harpooner and four other men rowed, their oars muffled at the fulcrums with matting, the captain or one of his mates steered and encouraged.
Two men row heroically to shore, running a line from the davits of the trapped lifeboat, making it fast around a tree when they reach land.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com