Sentence examples for making vocal from inspiring English sources

Critics had already remarked upon Gielgud's voice, that fabulous piece of machinery which a few detractors have claimed to be capable of making vocal music and little more.

But in recent weeks, Shiite Muslim religious leaders and Kurdish politicians, among the strongest supporters of the American-led invasion, have jeopardized the blueprint by making vocal demands for political rights.

The Financial Services Authority said it fined Mr. Einhorn, who became famous after making vocal bets against Lehman Brothers before that firm's collapse, and his fund about £3.6 million, or $5.5 million, each for selling stock in Punch Taverns shortly after learning that the company was close to a large equity fundraising.

What he was able to get out of the band immediately elicited comparisons to Fleetwood Mac, the gold standard for anybody making vocal pop records in L.A. "Days Are Gone" has some of that relaxed melodic spring, but feels brighter — the sun-drenched inverse of Ferreira's rained-out stadium pop.

Some sections without vocals will display circle notes, allowing for the microphone to be used as a tambourine and cowbell by tapping it or making vocal cues.

However, the business was being hurt by the war, and some merchants began making vocal calls for action, and public outrage rose over the failure of the Massachusetts defenses to stop the French and Indian raids.

Capably led from the piano by James Bassi, the White Plains company makes vocal magic with each number.

Mr. Chance switched to alto saxophone with Kim Gordon, long of Sonic Youth; she made vocal loops, he played film-noir lines and they largely ignored each other until a final buildup.

Here he is on soul music: "Falsetto is the supernatural made vocal, Ariel for the airwaves: simultaneously hypermasculine and lovingly feminine, sexy yet chaste, falsetto in soul music is a sign of vulnerability that emerges from strength".

She had previously made vocal arrangements of some of Chopin's mazurkas, with which the composer had professed himself "delighted"; to these she added nearly 200 songs, a few instrumental pieces, and several salon operettas, some to librettos by Turgenev.

To the credit of Natascia Diaz, she not only kept the mercurial Monica genuinely likable rather than annoying, but she also made vocal shortcomings an endearing part of her character.