The removal of the apron and the vest has, in the imaginations of some of those watching her, removed all else besides, making of her movements a delicious spectacle — the young pilot is in a veritable fever of rampant desire; she must and will be his!
The network had bid $1.5 million for a cin? v t tyle film Ms. Fawcett was making of her struggle with late-stage cancer, and with the gossip media buzzing about her imminent death, NBC was eager to get the show on television for the upcoming May sweeps rating competition.
Particularly arresting were the new uses Bush was making of her voice: tracks such as Pull Out the Pin and Suspended in Gaffa teemed with a panoply of exaggerated accents and jarring phrasings, as Bush applied thespian emphasis on particular words or syllables, and developed a whole new vocabulary of harsh shrieks and throat-scorched yelps.
The removal of the apron and the vest has, in the imaginations of some of those watching her, removed all else besides, making of her movements a delicious spectacle the young pilot is in a veritable fever of rampant desire; she must and will be his!—though for the Deputy Minister such unholy visions, rising unbidden, are more torment than pleasure.
Second, it's self-consciously through-composed, and, as an authentic modernist, she makes the making of her speech and the way she puts it together her subject.
In a short film she made on the making of her grandfather Francis Ford Coppola's recent "Twixt," Coppola acknowledged she didn't really know what she wanted to do when she finished college, so there is a sense that with "Palo Alto" she is just trying out the family business.
In discussing the making of her work, Eke describes playing at home with her computer and a television monitor, "playing it back live and then recording the image so it builds this repetitive image.
She revealed that Sasha was born during the making of her 2003 hit single "Crazy in Love".
Claire, who helped her 39-year-old daughter Julie through three years of sperm banks and infertility treatments before Alex was born, has done the brunt of raising her grandchild, as seemed inevitable from the start; Julie has had emotional problems since adolescence, and far from being "the making of her," as Claire hoped, having a baby made Julie less rather than more dependent on her.
The white skin that so often goes with it also spoke in Elizabeth's image-making of her separateness, her status as the Virgin Queen.
Ellen Susman, a Texas philanthropist who contributed $100,000 to the "super PAC" supporting Mr. Obama, has alerted people involved in the decision-making of her interest in serving as director of the State Department's Art in Embassies program, responsible for managing the art collection that hangs in American embassies around the world.
