Sentence examples for making a cumulative from inspiring English sources

Its prestige was redoubled when Shostakovich set it as the opening movement of his 13th Symphony (1962); four other Yevtushenko poems were the basis for its other movements, making a cumulative portrait of the mood of the times.

He's a percussionist who's worked with Sonic Youth, John Cage, Mr. Bungle, John Zorn, Lou Harrison, James Tenney, Wadada Leo Smith, Steve Reich and hundreds of names that would keep making a cumulative point about open-field maverick tendencies in the music of this country, whether it involves notes-on-paper composers, noise generators, rock improvisers, jazz-tradition players or whatever.

In 2007/08 the Bank extended US$1.5134 billion to support ten development projects in the country, making a cumulative total of $43.688 billion covering 296 projects (MOFA 2010).

The DWP states these recipients would generally also have relinquished their payments for all future years, possibly making a cumulative total of about 400, although they were not able to provide the BBC with detailed figures to confirm this.

The Fed has taken on much of that total, including lending a cumulative $1 trillion in overnight or short-term loans since March to primary dealers through its emergency discount window and making a cumulative $1.8 trillion available through its term auction facility, a series of short-term transactions it began making available twice a month in January.

In the seven full seasons since the ground was transferred to Suffolk Life, Walsall have made a cumulative trading loss of £322,000.

The top 10 male actors made a cumulative $488.5m, nearly three times the $172.5m made by the 10 top-earning women.

Putting all this together, in the decade up until April 2015 we will have made a cumulative efficiency saving of around a third of our funding.

A study by Ronald Lee at the University of California at Berkeley calculated that taxpayers make a cumulative profit of $80,000 from each new legal immigrant over his lifetime.

Viewers had to circumnavigate a Caro, see it from all angles and let the forms, which were organized in what Mr. Fried once called a syntactic relationship, make a cumulative statement.

Those following the Ravenhill treasure-trail around four different spaces assure me the plays make a cumulative impact, but the two I saw, though variable in quality, show Ravenhill using drama in Brechtian style to make a series of pungently instructional points.