Sentence examples for making I have from inspiring English sources

I had nothing to do with its making; I have never installed or opened it on my phone; and yet, I expect that this will be the most personal of the almost 400 pieces I have written for TechCrunch over the years.

Her plucky writing of an online diary — published in Slate in 1996, during a period of hip replacement, shingles, and acute pain — displayed the kind of career-survival reflex that had kept Spark alive on Grub Street fifty years before: "Out of my box of short stories in the making I have fished out the last two," her third entry began.

Her plucky writing of an online diary published in Slate in 1996, during a period of hip replacement, shingles, and acute pain displayed the kind of career-survival reflex that had kept Spark alive on Grub Street fifty years before: "Out of my box of short stories in the making I have fished out the last two," her third entry began.

"Mistakes were made, I have said that".

Every noise I can make, I have made.

This has not been made I have read this submission.

As part of my research for a book on prenatal testing and reproductive decision-making, I have talked with women who terminated their pregnancies when they learned that the fetus had Down syndrome.

"In my decision-making, I have always consulted with the widest array of people and will continue to do so as prime minister and chair of cabinet," Shorten says in his memoir.

The performances in recent years of the "Prelude a l'Apres-Midi d'un Faune" and "La Mer" by Debussy represent some of the most exquisite music-making I have ever heard.

It should be noted, however, that while Dworkin's general theory of interpretation is designed to assist in guiding judges to the one right answer in a case which comes before them, he claims that it is not recipe-like in the sense of providing judges with a detailed step by step programme for correct judicial decision-making: 'I have not devised an algorithm for the courtroom.

The "Preghiera" in the third act, where Radvanovsky's voice rose above the chorus and bloomed into the house, was one of the most cohesive and moving moments of music-making I have witnessed at the Met.