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Technological advances in makeup design have allowed Rick Baker to go way beyond John Chambers's ground-breaking, Oscar-winning work in the original film.
Sets by Jason Sturm; costumes by Harry Nadal; sound by Frank Rodriguez; makeup design by Barbara Kent; stage manager, Adrian Gallard; prop maker, María Guzmán.
Though some of the men's beards are less than persuasive, Mark Adam Rampmeyer's hair and makeup design generally achieve the right effects.
The director, Mark Adam Rampmeyer, previously did hair and makeup design at the Engeman Theater, which is in Northport, as well as at various Manhattan theaters.
Set and lighting by Mark T. Simpson; costumes by Bryant Hoven; wig stylist, Mitch Ely; makeup design, Louis Braun; soundtrack engineering, Mercer Media, Alex Noyes; soundtrack selection, creation and design, John Epperson.
That exchange is one of a few clues that are telegraphed rather clumsily in Mr. Flynn's otherwise fluid staging, which also benefits from Thom Weaver's deft lighting and Mark Adam Rampmeyer's hair and makeup design.
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For a while, she assisted him with his makeup designs.
The first makeup designed expressly for motion pictures was created by Max Factor in 1910.
The makeup, designed for the big top, does not always come off well in face to face encounters.
A heavy kimono of rich greens, purples and golds was complimented by a geisha-style makeup designed by Romero Jennings, the makeup-artistry director at the MAC cosmetics company.
Though Mr. Lincoln did not have to don layers of zombie makeup (designed for the series by the special effects artist Gregory Nicotero), he suffered for his art.
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