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That's what makes these pieces special in terms of them being a performance.
For omission is precisely the act that makes these pieces so powerful.
But it is the arrangement and imaginative juxtaposition of familiar instrumental timbres with splashing, crinkling and other exotic noises that makes these pieces so irresistible and entrancing.
And Mr. Denk's texturally rich pianism makes these pieces what they should be: partnerships for a violinist and a pianist, rather than violin works with deferential piano accompaniments.
What makes these pieces so interesting is that they adhere to the idea that "each novel writes its own constitution," judging these books against the rules their authors have laid out for themselves at the onset, rather than some broad terms on which any novel can be judged.
It's not just the artwork that makes these pieces special, though.
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Mostly, Mr. Gilbert drew a lush, precise performance, shaped with a flexibility that made these pieces intoxicating.
"We have been looking to make these pieces since we were students," they said.
It was about making these pieces useful and having some kind of function.
I had made these pieces that were actually recycled with antique linens from the 1920s that I had collected and made into ready-to-wear.
Be Bread, Ms. Melford's coolly intuitive cohort, girds every structure with a pliable integrity, making these pieces feel both supple and sturdy.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com