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Not that my pieces looks violent, but my thinking around how make something engage a viewer or command attention has shifted enormously.
The elegant loops of logic, the attention to detail, the mission of getting the maximum amount of impact from the fewest possible lines, the feeling of making something engaging from a few wispy, abstract ideas — these challenges were familiar to me as a critic.
When you wanted to make something cultural, when you read, you read engaged writing.
So the goal was, the idea was, can we make something different that actually gets these students engaged to a different degree?
You have to make something which is genuine and heartfelt which people can really engage with.
He was engaged, immersed in every detail of the business, always trying to make something better.
Is it better to try to make something that's impossible, because it's important to you, and to fail, or never to engage with it at all?
"Make something.
To embrittle means to make something brittle.
Make something up".
Make something rattle.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com