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In 1950 he began pulling his theories of the previous five years into a book, published in 1953 as The Lydian Chromatic Concept of Tonal Organisation, the Lydian mode being the white-note scale starting on F, and thus equivalent to a major scale with a sharpened fourth.
We're talking logrolling on a major scale, with worthy causes the ultimate beneficiaries.
Sergei Prokofiev was inspired by hearing his mother practicing the piano in the evenings – mostly works by Chopin and Beethoven – and composed his first piano composition at the age of five, an 'Indian Gallop', which was written down by his mother: this was in the F Lydian mode (a major scale with a raised 4th scale degree) as the young Prokofiev felt 'reluctance to tackle the black notes'.
Ex: the phrygian scale is the major scale with a lowered 2, 3,6,and 7th scale degree, another way to think of it is as a major scale starting on the third).
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To find out which 2 sharps, simply count down from the top of the list all major scales with sharps (any with flats you count from the bottom).
The first thing you hear is a soft, descending octave in the first violins, the simplest of musical ideas, and a stepwise progression up the first four steps of the A major scale – along with a little chromatic agitation - over some serenely, almost ecclesiastically sonorous polyphony in the lower strings.
The major scale formed with these change-sensitive items displayed a larger effect size and an adequate reliability estimate.
As with any major scale, you begin with the root.
Practice your major scales, starting with the middle C, moving down in half-steps before moving up.
Warm up by singing major scales starting with the middle C. Sing C-D-E-F-G-F-E-D-C and move up or down one half step for each new scale.[2].
In the later 16th century the Swiss humanist Henricus Glareanus, yielding to the musical realities of his day, proposed two new pairs of modes, Aeolian (corresponding to natural minor) and Ionian (identical with the major scale), for a total of 12 modes (hence the title of his book, Dodecachordon).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com