Sentence examples for mainstream repertoire from inspiring English sources
The phrase "mainstream repertoire" is correct and usable in written English.
It can be used to refer to the common or widely accepted collection of works, styles, or practices within a particular field, such as music, theater, or literature.
Example: "The artist's latest album has quickly become part of the mainstream repertoire, appealing to a broad audience."
Alternatives: "popular collection" or "common repertoire".
With the exception of the early Macbeth, this is all mainstream repertoire.
The second was to liberate a whole canon of Shostakovich's music by bringing it into the mainstream repertoire.
It was Karl Böhm, more than any other conductor, who kept Berg's operas in the mainstream repertoire in the 1960s, when they were still considered difficult.
OHP admirably revives neglected work alongside the mainstream repertoire, but this season's rarity, Mascagni's Iris, is so unrelentingly grim that continued neglect might have been kinder.
His move into the mainstream repertoire came in 1966 with a production of Parsifal at Bayreuth directed by Wagner's grandson, Wieland.
These concertos, and the numerous chamber works that were conceived alongside them, have become standard works for conservatoire students and players of instruments with little mainstream repertoire.
He became a leading interpreter of the mainstream repertoire – in particular the symphonies of Mahler and Shostakovich, and the concertos of Brahms – but also of his country's music, which he conducted with a poignancy, briskness, power and beauty that borders on the unbearable.
Yet the ballet form struggles to convey Shakespeare's intrinsic verbal complexity, and these pieces have not really survived in mainstream dance repertoire.
Hay Fever, the first of Coward's plays to gain an enduring place in the mainstream theatrical repertoire, also appeared in 1925.
Around the year 2000, Peter Gelb was the head of Sony Classical and was steering the record company in the direction of crossover music rather than mainstream classical repertoire.
But while Stevenson's lifelong obsessions and fascinations – fellow pianist-composer-visionaries including Paderewski, Grainger, Busoni, Sorabji – may seem on the fringes of mainstream musical canons and repertoires, they were for him the inspirations that catalysed one of the most astonishing musical lives of the late 20th century.
