Sentence examples for mainstream cities from inspiring English sources
"mainstream cities" is correct and usable in written English
You can use it to refer to cities that are considered the most popular or well known, usually for their economic or cultural clout. For example, "New York, Los Angeles, and London are all mainstream cities."
The punk house is a curious and sometimes beautiful habitat, the expression of a music scene and do-it-yourself culture that went underground decades ago, in an attempt to opt out of just about everything that smacked of the mainstream: cities, clubs, bars, alcohol, processed foods, agribusiness and the record companies, for example, not to mention all media larger than a photocopied zine.
There are real people out there who, just like me, are living rather mainstream lives in mainstream cities, living the stories that most folks devour if we call it fiction or make it about vampires.
"If it's not in a mainstream city, it can't deal with passports and visas," he said.
The Bloomberg administration is set to move ahead on Tuesday with plans to create a large-scale bike-sharing program that would make hundreds or even thousands of bicycles available for public use throughout New York City — a nimble, novel form of mass transit that has already become mainstream in cities like Washington and Paris.
The company, which is seeking to make ride-sharing mainstream in cities across the U.S. and around the world, is expected to use the new cash to fund expansion into new cities and territories.
His goal, he often said, was to draw the downtown church into the mainstream of city life.
Just as the green agenda has gone mainstream, from city breaks to summer holidays in the Med, so we start hearing about so-called eco-friendly spas that do little more than sell fair trade bananas in the bistro.
Robin Hood may be a local champion of the downtrodden, but Nottingham is a mainstream Labour city – 52 of the 55 councillors, all three MPs as usual, their share of the vote increased on 7 May.
Richard Schechner called it a "wonderful embrace and simulation of chaos," but virtually all the city's mainstream critics pronounced it racist).
(The play ended with an orgiastic battle. Richard Schechner called it a "wonderful embrace and simulation of chaos," but virtually all the city's mainstream critics pronounced it racist).
The show demonstrates that modern architecture worked its way relatively smoothly into the cultural mainstream of the cities of the Hapsburg Empire, where it was used to interpret a monumental and civilized metropolitan spirit.
