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Ultimately, Tashlin turns the murder-mystery plot into a giddily quotational parody of the films of Alfred Hitchcock: Tashlin's subject isn't so much the intricacies of bloody murder as the media-centric complexities of the subject's irresistibly macabre allure.
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His conscious devotions leave little room for the unconscious; for someone who deals in blood and gore, there's hardly the frightening allure, the shudder-in-the-marrow of death and its macabre enticement, that Hitchcock's films present.
It's macabre.
The danse macabre continues.
We retell the macabre jokes.
Fatal allure..
The allure?
7. 9) John Lydgate, Dance of Macabre.
The allure is powerful.
But its fate was macabre.
The allure is clear.
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