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BRONX "Joan Semmel: The Lucid Eye".
The current show, "The Lucid Eye," for example, features paintings by the artist Joan Semmel, who was born in the Bronx in 1932.
"The Lucid Eye" presents a wonderful view of the culmination of a career spent thinking seriously about what it means to paint (and to photograph) the human figure in this era.
"Cornered" (2006) features Ms. Semmel crouching nude before a mirror, while three other large canvases in the "The Lucid Eye" use a camera flash reflected in the mirror as one of their primary devices.
The few dozen paintings in "Joan Semmel: The Lucid Eye," at the Bronx Museum, described by the curator, Antonio Sergio Bessa, as a "project show" rather than a retrospective, were all made after 2001.
This dreariness infuses Mr. Updike's New York-based fiction, as in "The Lucid Eye in Silver Town," a short story written in 1956 about the first visit to New York of a 13-year-old boy, who, like Mr. Updike, comes from "a hick town in Pennsylvania".
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It's in the way her lucid, sad eyes communicate the small earthquakes we endure as we grow older, shedding the skin of adolescence and graduating into adulthood.
We also thank the acting Director, Kenya Medical Research Institute for assisting with study efforts for our Kisumu, Kenya study site and Dr. Jared Baeten (University of Washington) for his very lucid comments, critical eye and support for this manuscript.
Japan coma scale (Grade 0: alert, Grade 1: possible eye-opening, not lucid, Grade 2: possible eye-opening upon stimulation, Grade 3: no eye-opening and coma).
Registered pediatric patients aged 3 to 15 years with severe trauma (maximum Abbreviated Injury Scale score ≥3 or Injury Severity Score ≥9) were divided into four groups according to JCS score in the prehospital setting (Grade 0: alert, Grade 1: possible eye-opening, not lucid, Grade 2: possible eye-opening upon stimulation, Grade 3: no eye-opening and coma).
She's more lovely than ever, her asymmetrical eyes lucid and expressive, and it's satisfying to get a good look at a figure who generally appeared onstage quite literally in disguise.
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