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Moreover, the applied microscopy analysis of the painting stratigraphy revealed no intermediate layer between the upper and the lower paintings suggesting that the Ecce Homo was painted directly on the underlying portrait.
In the second case, the underlying portrait was not directly accessible and the XRF spectra acquired contained contributions of both the upper and the lower paintings.
In order to facilitate the isolation of the signal coming from the lower painting, spots with presumably different colour (based on XRR and microscopy observations) and pigment composition between the upper and the lower paintings were analyzed.
In this configuration, the fluorescence signal was strongly dominated by that of Zn, owing to the use of zinc white as a primary pigment in the palette of both the upper and lower paintings.
For example, the area of man's left cuff executed with a white (based on microscopy observations) pigment corresponds to a dark brown background of Ecce Homo, which allows to suggest the presence of different pigments in the upper and the lower paintings.
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Consistent features of pigment mixtures and morphology between the upper and lower paint layers point to a common paint source for both paintings.
But if the offerings at FIAC were any indication, there appears to be a healthy market for contemporary artists' carpets and tapestries, perhaps aided by the fact that textile works are often priced lower than paintings and sculptures.
The show contrasts his illustrations, like the swashbuckling cover for a 1911 edition of "Treasure Island," with the lower-key paintings of landscape, home and family that he did between commercial assignments.
While the lower-priced paintings all doubled or tripled estimate, the more pricey ones performed more reasonably, with "View of Yalta" from 1867 going for £420,000, ($761,700, est. £250,000-350,000) the auction's highest sale.
In mental imagery tasks, a significant main effect PAINTING was found with lower ApEn for painting 2. In addition, a significant interaction between REGION and GROUP (F = 4.90, P < 0.01) was observed, indicating that artists displayed a higher ApEn in frontal brain region and a lower ApEn in occipital brain region than nonartists (see Figure 2).
We see that Rothko smeared into the grey in the lower portion of the paintings with his fingers, rubbing out areas of paint, as though he were rubbing fog from a window with his sleeve, only to reveal more fog outside.
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