Sentence examples for lovely use of from inspiring English sources
In the magnificent eighth and ninth stanzas, the poet advises transcendence of "birth's enterprise / And death's small crime" and reminds us, in that lovely use of anaphora, of a Bardic tradition in which the poet "lay down" in darkness to compose.
The deceptively complex staging benefits from lovely use of video, shadow puppetry (which simulates hand-holding without any touching) and an eerie metallic sound design by Lewis Gibson.
The collection kept the cuts simple and classic: shift dresses, jumpsuits and strapless evening gowns — but it was the lovely use of color and embellishment that gave this show a textural beauty.
Phillips makes lovely use of anaphora in several songlike poems; an elegy for pre-9/11 Manhattan consists almost entirely of the phrase "The eye seeking home / has to lower," repeated, varied and lineated to evoke flights of stairs.
This might be no more than a mass of Walter Winchell-style clichés — New York is a fancy lady but she'll turn on ya, etc. — if not for the charm of the particulars evoked (that lovely use of "wooding," or, later, the "train that found and lost itself a thousand times in the flare and tremor"), the play of opposites, and the odd lack of conventional drama.
Ms. Walker makes lovely, restrained use of Mr. Pearce's brother David, who has Down syndrome and was especially traumatized by Kevin's accident.
Mr. Lendorf is a superb dancer, with a light, airy jump, brilliant articulation in beaten footwork and a lovely, lyrical use of arms.
It's set to songs by Peter, Paul and Mary, and the willfully childlike lyrics ("I've been swallowed by a boa constrictor," "Daddy's taking us to the zoo") work in odd yet resonant tandem with the focused movement, which shakes ballet's tight forms into looser shapes with a lovely fluidity and use of idiomatic, everyday gesture.
For all the echoes of Oh, What a Lovely War! in the use of ballad-song to counterpoint military devastation, the show never acquires the emotional resonance of Joan Littlewood's great prototype.
Much of this apparent innocence was the result of his meeting with the self- taught painter-fisherman Alfred Wallis, whose "untrained and innocent depictions" of Cornish fishing life, along with his use of "lovely dark browns, shiny blacks, fierce greys and strange whites, and a particularly pungent Cornish green", had a profound effect on Nicholson and other British modernists.
Hussein Chalayan, for instance, designed a lovely collection, full of elegant silhouettes — he makes gaucho pants look cool — and lively uses of color.
