Sentence examples for lovely affecting from inspiring English sources

I loved the relationship between the lovely, affecting young Esmé and the (eventually) jaded, shell-shocked male narrator.

Fiona Murphy was a powerful Annio; Sarah Tynan produced a lovely, affecting sound in Servilia's second-act aria; and Matthew Rose was a suitably burly, saturnine Publio.

Mr. Botting of Allo Darlin' also played with the goofy conceptualists Moustache of Insanity, and Ms. Morris, a lovely, affecting vocalist capable of handling stages far bigger than the one she had here, was also a member of Tender Trap, which includes members of the seminal twee band Heavenly and headlined the Friday night bill.

The best way to respond to "Certified Copy" is to stop fighting its game-playing trickiness and enjoy it for the lovely and affecting movie that it is.

This lovely, deeply affecting music doc gets the red-carpet treatment from the director, who briefly introduces each of the players on their way to the show before literally zooming in on Young's remarkable performance.

This lovely, deeply affecting music doc gets the red-carpet treatment from "Stop Making Sense" director Demme, who briefly introduces each of the players on their way to the show before literally zooming in on Young's remarkable performance.

The Korean lyric soprano Hei-Kyung Hong was a lovely, demure and affecting Mimi.

The soprano Emalie Savoy brought a lovely voice and affecting tenderness to the opening song, a setting of Tennyson's "Tears, Idle Tears," a melancholic rumination on life's passages.

A variation on earlier installments was the division of the solo part among three singers: Dawn Upshaw (a lovely, liquid, sensuously affecting voice), Victoria Livengood (rich, firm tones) and Tracy Dahl (soubrettish charm and clear, though sometimes shallow, sound).

Thus episode seven had a lovely, and oddly affecting, detour into philosophy when Arya and Sandor met a dying man (played by Samuel Beckett specialist Barry McGovern) and debated the meaning of life and death.

Nomenclature isn't everything, of course, but it seems silly to insist that "Waking in New York" is an opera without opera's attributes when it is actually a lovely, effective and affecting example of something else: a song cycle, for vocal ensemble and chamber orchestra.