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To be fair, they were long paragraphs.
Gilbert's style is comparable: long paragraphs effloresce with superabundant detail.
The long paragraphs of the adagio evolved with compelling intensity.
They meet in a section that consists of just two very long paragraphs.
You can't get away with sloppy long paragraphs of obscure technical language.
Best of all, the characters speak in their own voices, in long paragraphs of direct quotation.
We'd know a protagonist died on the page with the two long paragraphs after the page with all that dialogue.
There are long paragraphs of breakthroughs, listed in shorthand, and honor rolls of feminist worthies, some barely identified.
Long paragraphs of text can be a real turn off, and will run the risk of being skim read.
Include long paragraphs of text; employers are busy and do not have time to read lengthy e-mails.
As a result, we get much of our information through long paragraphs of expository dialogue, often in unconvincingly frenchified English.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com