Sentence examples for logical harmony from inspiring English sources

The young vibraphonist has grown a lot since his first record two years ago; passing through gigs with Wynton Marsalis, Cassandra Wilson and Greg Osby, he has recently been playing with Jacky Terrasson, a similarly excitable player whose logical harmony can turn into explosions of wild, wide-interval energy at a moment's notice.

Any discrepancy would eventually have to be reconciled though, because the virtue of the SI system is its precise mathematical and logical harmony amongst its units.

Later Neoplatonists accepted the importance of Aristotelian logic, and the harmony between Platonic and Aristotelian teaching, but they tended to try and discover Neoplatonic doctrines even in the Aristotelian logical texts.

What was being questioned publicly in many quarters at the dawn of the 20th century was the evolutionistic view of Western art music as man's ultimate achievement in the realm of sound and its logical consequent that 19th-century harmony represented in turn music's most advanced stage of development.

And even though I don't really get it, I'm happy to simply enjoy it and accept the fact that this visual harmony is not accidental, but logical.

In Ms. Bley's clever and stirring piece "Blue Anthem," full of half-hidden quotations (including one from "La Marseillaise"), Chris Cheek, on tenor saxophone, played an explanatory, logical solo, perfectly following the lines of the song's harmony.

Therefore it would seem logical that σS is a valuable component for maintaining cellular harmony and stability, and as such likely represents an important mechanism by which S. aureus protects itself against the harsh environments encountered during growth.

Therefore this approach builds on definitional reflection, which applies harmony and inversion to rules for arbitrarily structured entities rather than for logical composites only.

In the Harmony agile MBSE process, this is done incrementally, and each increment transforms the logical system engineering data into physical representations that are useable by the design teams.

From the inspired repetitions of Op 18 No 1, to the febrile riches of Op 74 (the "Harp") or the crazed, oscillating harmonies of Op 135, the players unite as one, turning puzzling asymmetry into logical expression.

However, he does not employ this criterion as a logical maxim but transforms it into some kind of ontological principle according to which everything that prevents harmony cannot be real.