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Paying audiences largely avoided the drama, despite the spectacular location photography.
Vibrant performances and sturdy location photography ground the action in the firm, fertile soil of reality.
Walsh shot Along the Great Divide (1951), a conventional western strengthened by some good location photography, with Kirk Douglas as a U.S. marshal escorting a prisoner to trial.
It has dull action set pieces, leaden dialogue, lots of running around Belgrade (making very little use of location photography) and endless Skype calls.
Not all of these solos work, but the movie's "hum a few bars and I'll fake it" attitude skates by, particularly with the benefit of the film's crisp, seaside location photography.
For all of the documentary realism of the film's location photography, Melville is able to cast a spell of fairy-tale unreality around his characters -- and around Bob in particular.
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He seems to have been inspired at least partly by Iranian films like "Close-Up," "The Apple" and "Where Is the Friend's House?," which used ordinary people and on-location photography to recreate real events.
Director Jules Dassin of The Naked City (1948) pointed to the neorealists as inspiring his use of on-location photography with nonprofessional extras.
Other films to catch over the next few days of the festival include a very rare 3D screening of It Came From Outer Space (based on a story by the great Ray Bradbury, Revengee of the Creature (with a cameo by a young Clint Eastwood), and the Mexico-set gangster drama Second Chance (starring Robert Mitchum, Linda Darnell, and Jack Palance), which features stunning on-location photography.
One pointed to images captured inside the Brooklyn Battery Tunnel, a controversial location for photography in this high-security era.
Technically the Franco-British-Italian co-production released by Paramount is uneven, crudely matching studio sets with the sometimes splendid location color photography.Yet Mr. Ray's highly individualistic preoccupation with moral tensions expresses itself in a series of unusually provocative scenes.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com