"literary vision" is a correct and usable phrase in written English.
It refers to the unique perspective and style of a writer in their literary works. Example: The author's literary vision is evident in every page of her novel, as she weaves together complex characters and thought-provoking themes.
There, at least, he found a literary vision of apocalypse that never went out of print.
Tropic is not Miller's finest book, but nonetheless an important introduction to his innovative literary vision.
But that is not a new literary vision, this bringing into focus the wretched of Mississippi.
Calasso argues that the art of the publisher lies in nurturing a distinctive literary vision.
The Kiss is not pure visible fact, but a story that was conceived as part of an epic literary vision.
His literary vision, like his subjects thus far, is Chinese, and the English language not his calling but his arbitrary fate.
Even Nineteen Eighty-Four, that darkest of literary visions, does not end with a boot stamping on a human face for ever, or with a broken Winston Smith feeling a drunken love for Big Brother, but with an essay about the regime written in the past tense and in standard English.
These literary visions demonstrate, in a way that popular visions of community and postmodern theories of community cannot, the dialectical relationship between the discourses of benevolent community and dissenting community.
What can Sophocles', Sade's and Mario Vargas Llosa's literary visions tell us about how throughout history the elimination of the political enemy, and its "double killing," unites a community of equals?
Moira Fradinger's Binding Violence, Literary Visions of Political Origins, brilliantly traces the origins of the Western democratic imagination and the violent politics of membership in three historical, political [End Page 1133] and literary periods - Ancient Greece, the French Revolutionary era and the Trujillo dictatorship in the Dominican Republic during the middle of the twentieth century.
Apocalypses now and then: computer-generated-imagery versus the fallout from literary visions of nuclear fission: On the Beach, and Iran on the brink.
