Sentence examples for literary standpoint from inspiring English sources

Exact(15)

She died young, of cancer, in 1985, anonymous from a literary standpoint, but surrounded by friends.

It's easy to understand why people, just from a literary standpoint, grieved.

"From a literary standpoint, there is no doubt that the scene well depicts the adversity Boyd faces in the character of the Mexican physician who intervenes.

The best of the three from a literary standpoint is the Shuihuzhuan, which gives full imaginative treatment to a long accretion of stories and anecdotes woven around a number of enlightened bandits armed social and political dissenters.

Aside from some of the inscriptions of the kings, especially Nabonidus, which were not comparable from a literary standpoint with those of the Assyrians, the main efforts were devoted to the rewriting of old texts.

I called Wilson H. Faude, a Hartford historian who served as the first curator for the Mark Twain House, and told him that this highway stop in the middle of Connecticut seemed to qualify, at least from a literary standpoint, as a pretty important place.

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Similar(45)

He makes an extensive case against "a present-day literary-Americanist standpoint" that, in his view, takes too seriously the concluding peroration of "The American Scholar" ("We have listened too long to the courtly muses of Europe.... We will walk on our own feet; we will work with our own hands; we will speak our own minds..

He makes an extensive case against "a present-day literary-Americanist standpoint" that, in his view, takes too seriously the concluding peroration of "The American Scholar" ("We have listened too long to the courtly muses of Europe.... We will walk on our own feet; we will work with our own hands; we will speak our own minds...

Her short, incisive biographies offer a glimpse into the exotic travails of the past and the eternal concerns of female experience; and, of course, from a purely biographical standpoint the literary mediocrities can be as interesting as the successes.

In his stories he viewed Hasidic material obliquely from the standpoint of a secular literary intellect, and with this unique perspective the stories became the vehicle for an elegiac contemplation of traditional Jewish values.

First, a dig in Standpoint magazine, and then another in the Literary Review.

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