Sentence examples for literary constructions from inspiring English sources

Exact(1)

These are not literary constructions, designed for the archives.

Similar(59)

As a literary construction, the scene makes absolute sense; as the climax to a psychological thriller, it feels clenched and ridiculous.

Again and again, he speaks of the uniqueness of the "English experience" when it comes to the agrarian revolution and the Industrial Revolution, and how these historic events configured our particular literary construction of country and city.

Miss Hsieh "pioneered the literary construction of a soldier image for women -- as imaginative as it may have been -- and thereby influenced this kind of literature in China for decades," said Charles A. Laughlin, professor of modern Chinese literature at Yale University.

Some have seen Alexander as largely a literary construction by Lucian with little historical basis but other evidence confirms that there were traveling Pythagorean wonder-workers in the early imperial period (Flinterman 2014, 359).

Based on geoarchaeological, archaeological and literary evidence, the construction of two harbour moles in order to provide shelter against wave action and enemies can be attributed to the early Hellenistic period.

Johnson saw no positives in Dr. No, and said, "Mr Fleming has no literary skill, the construction of the book is chaotic, and entire incidents and situations are inserted, and then forgotten, in a haphazard manner".

Johnson saw no positives in Dr. No, saying that "Mr Fleming has no literary skill, the construction of the book is chaotic, and entire incidents and situations are inserted, and then forgotten, in a haphazard manner".

"Like all art, there will be growth from these humble contributions in which we take immense pride, to a future literary landscape of beautiful constructions that will be definitive of each African language.

This taste for the construction of literary enigmas, puzzles, labyrinths, and visual designs, all presented in an esoteric, Latinate style, led to cabalistic and occult exercises.

He did not do this trivially, for the cheap thrill of mimicry, but rather out of a principled mistrust of originality and the historical construction of literary heroes.

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