He inherited from Cicero his literary conception of history, his copiousness, and his principle of accommodating style to subject.
In Spectre, Craig's rather tortured take on the role, while retaining the grit of the actor's canny interpretation of Ian Fleming's literary conception, relaxes a bit into a suaver sort of self-confidence.
As a result, said Strachey, "the monastic and literary conceptions of education, which had their roots in the middle ages, he adopted almost without hesitation... devoted to the teaching of Greek and Latin grammar".
Fitzgerald's literary and personal conception of the aphrodisiac power of money, though, was remote to two of the most important writers of the day D.
Fitzgerald's literary and personal conception of the aphrodisiac power of money, though, was remote to two of the most important writers of the day — D. H. Lawrence, and Fitzgerald's friend Ernest Hemingway, whose prime themes are virility and vitality, the physical energy and mental discipline which carry a sexual charge.
It's just this economic pattern of risky investment and the expectation of a profit that forms something like the thematic paradigm of profit and loss that really is at the heart of Milton's representation of his future literary greatness, his conception of himself as a poet.
Giving up on them sacrifices real pleasures for a needlessly narrow conception of literary purity.
Lurz shows how these novels intersect with the world of their readers and create a new conception of literary experience not accounted for by historicist or formalist accounts of the modern period.
In addition to this historically-inflected conception of literary study, we would like to pursue critical exchanges between idealist (Neo-Kantian and phenomenological) philosophy and emerging theories of literary form.
During his time at Stanford, noted Dante scholar John Freccero and René Girard, whose theory of mimetic rivalry and scholarship have been broadly influential, were particularly formative for Wellbery's conception of literary scholarship.
The section concludes with a transition to the twentieth century in "Reading Macbeth in Text by and about African Americans, 1903 1944" (Nick Moshchovakis), where the voices of African American literary critics questioned previous conceptions of moral dualism as part of their own liminal political reality between emancipation and civil liberty.
