Women who identified more covert characteristics in their interview placed greater responsibility on the listener for knowledge of appropriate reactions to stuttering.
In the context of human language comprehension, the bihemispheric system supports the ability to identify the words a speaker is producing typically by integrating auditory and visual cues in face-to-face interaction but also to make sense of these word meanings in the general context of the listener's knowledge of the world and the specific context of speaking.
Then there is Michael Gove, who agreed to a grilling with an audience of teachers, while Rory Stewart impressed listeners with his knowledge of Afghanistan.
"Tanto Tempo" sounds inevitable; even to listeners without much knowledge of its sources, it seems natural to hear bossa nova entwined with electronic music.
Table 3 Register typology based on socio-semiotic processes (field of activity) expounding: contexts where natural phenomena such as cold fronts are explicated to help readers or listeners as part of the construction of "knowledge" about general classes of phenomena – either by categorizing (or "documenting") these phenomena or by explaining them.
(Impact or outcome assessment) Findings and Conclusions: As part of the evaluation exercise a population based survey was carried out with the objectives of documenting the socio-demographic characteristics of community radio listeners, their knowledge, attitudes, practices, and beliefs relating to issues raised by radio programmes.
In contrast, dialogs which add to the information status of an interlocutor are structured online by means of the information center or focus, respectively, as it alters the current state of knowledge of a listener.
I'm constantly touched and amazed by the breadth of knowledge and interest our listeners show, and the curiosity with which they approach the new.
However, an alternative explanation for the observed effect of lexicality on gap detection is that listeners have greater knowledge of the acoustic structure of words than nonwords from years of exposure to speech.
Inspired by the relentless forward march of post-punk, the young Reynolds was sceptical of bands such as Primal Scream or Spacemen 3, who waved their influences like a flag: "music," as he once defined it, "where the listener's knowledge of prior rock music is integral to the full aesthetic appreciation of the record".
Beginning an answer with "so" implies that the answerer is drawing a conclusion from a body of knowledge to which she is privy and the listener is not.
